The ground floor windows are transformed into an abstracted film strip engaging with pedestrians by displaying a human-scale narrative. Layers of painted glass create momentary overlaps and reveal as the density of color and pattern changes. The superimposition of figures and choreography imply depth and movement within the scene. By abstracting the corridor fight sequence of Oldboy (2005, Park Chan-Wook), we flatten the blocking and choreography of being inside of a long, linear space.
